Friday, September 17, 2010
Haunted Mansion 2
Haunted Mansion 1
Crossposted from http://hauntedmansionwriters.blogspot.com/
So I'm going into the Haunted Mansion this weekend. Actually it's the a well known Retreat in Mill Valley, CA. My number one Dark Tango Poet, Ms. Rain Graves invited a bunch of to participate in a writer's retreat. It's going to be something special.
But I want to make sure I'm in the right frame of mind when I get there. So I've decided not to bring any novels to read that take me outside the reality of the place. I'm anticipating so much sense of place that I don't want to miss anything. Still, I can't not bring something to read, so I've decided to bring a book of short stories, I think: Steven Millhauser's, The Knife Thrower. His ability to render the quotidian absurd will lend itself to the idea of brushing elbows with the dead and turn this absurdity quotidian.
I'm also not going to do any editing on my computer on works in progress. Whatever I write, I want to be stimulated by the feeling of the place and the companionship of my friends. Really looking forward to seeing what happens to us.
Haunted Mansion Reading - Writing Material
So I'm going into the Haunted Mansion this weekend. Actually it's the a well known Retreat in Mill Valley, CA. My number one Dark Tango Poet, Ms. Rain Graves invited a bunch of to participate in a writer's retreat. It's going to be something special.But I want to make sure I'm in the right frame of mind when I get there. So I've decided not to bring any novels to read that take me outside the reality of the place. I'm anticipating so much sense of place that I don't want to miss anything. Still, I can't not bring something to read, so I've decided to bring a book of short stories, I think: Steven Millhauser's, The Knife Thrower. His ability to render the quotidian absurd will lend itself to the idea of brushing elbows with the dead and turn this absurdity quotidian.
I'm also not going to do any editing on my computer on works in progress. Whatever I write, I want to be stimulated by the feeling of the place and the companionship of my friends. Really looking forward to seeing what happens to us.
Monday, September 13, 2010
Glittering Darkly About Zombies
Are Zombies the New Vampires?
I'm kind of getting tired of this comparison. I think it's derived from those who worship at the feet of vampires, glittering darkly into the night. The question comes from those people who were laughed at in high school and wanted desperately to be a cool kid. A recent NY Times article used some slap-dashed geek logic that did little to promote the scholarship of zombies any farther than a re-visitation of The Breakfast Club.
Sure, Vampires are cool. Hollywood has taken Nosferatu and made him something you could hug. Girls (and guys) lust after vampires. From James Marsters (Spike on Buffy the Vampire Slayer) to Robert Pattinson (Edward on Twilight) the actors can mostly be themselves. They might add a little toothy sparkle, but they aren't decomposing in your imagined arms like zombies.
So because Vampires are cool, as are werewolves, zombies are uncool? Are we back in high school? Is the popular media, such as the New York Times guilty of creating cool monster cliques as if we were all in the hallway between classes of the Popular Monster High School? Is the football team composed of werewolves and are the cheerleaders vampires? Does that mean that zombies are the special ed kids? Do our green-skinned creations ride the proverbial short bus?
One of these days the media will look past their GQ attitudes and see zombies for what they really are. You see, where vampire and werewolf media is about the monster, zombie fiction is about humanity's reaction to the monster. Sure, there are some fine exceptions like S. G. Brown's Breathers (zombie point of view) or Yvonne Navarro's Afterage (definitively about humanity's survival in an apocalyptic vampire world), but these are the exceptions rather than the rule.
Rarely do we write something from a zombie's point of view. My book Empire of Salt and others are written from the human perspective and are treatises on what people do in order to survive.
Vampire and Werewolf media is much less about the survival of the people, but rather the survival of the monster. Often, they create the need for viewers and readers to champion the monster over humanity, which is almost gleefully accomplished, especially in our post Buffy the Vampire Slayer Universe.
So you see, you high school wanna be cliquish reporters, it's not about cool, it's about humanity. Sometimes it's easier for us to have a monster as synecdoche for ourselves, living vicariously through them. I get that. But don't confuse vicarious living with a total capitulation of our humanity. You see, zombie media is our response to everything out of control in our lives. It's a commentary on our inability to escape the inescapable and argue against the inarguable. Just as the 1950s saw an explosion in monster movies, the late 2000s saw a similar explosion in zombie fiction and movies for much the same reason. Where we were terrified of an invisible threat called the Soviet Union back then, now we have invisible threats that reveal themselves as terrorists and viruses. We are afraid so we put other people in danger and let them escape or die so we don't have to.
Do me a favor, spend a little bit more time in your next article not trying to be a cool kid in the hallway. Instead, dig a little more deeply into the psyche of a populace who is suddenly embracing zombies. For the last time, it's not about what's cool, it's about how scared we are.
-Weston Ochse
Desert Grotto
Mexican Border
I'm kind of getting tired of this comparison. I think it's derived from those who worship at the feet of vampires, glittering darkly into the night. The question comes from those people who were laughed at in high school and wanted desperately to be a cool kid. A recent NY Times article used some slap-dashed geek logic that did little to promote the scholarship of zombies any farther than a re-visitation of The Breakfast Club.
So because Vampires are cool, as are werewolves, zombies are uncool? Are we back in high school? Is the popular media, such as the New York Times guilty of creating cool monster cliques as if we were all in the hallway between classes of the Popular Monster High School? Is the football team composed of werewolves and are the cheerleaders vampires? Does that mean that zombies are the special ed kids? Do our green-skinned creations ride the proverbial short bus?
One of these days the media will look past their GQ attitudes and see zombies for what they really are. You see, where vampire and werewolf media is about the monster, zombie fiction is about humanity's reaction to the monster. Sure, there are some fine exceptions like S. G. Brown's Breathers (zombie point of view) or Yvonne Navarro's Afterage (definitively about humanity's survival in an apocalyptic vampire world), but these are the exceptions rather than the rule.
Vampire and Werewolf media is much less about the survival of the people, but rather the survival of the monster. Often, they create the need for viewers and readers to champion the monster over humanity, which is almost gleefully accomplished, especially in our post Buffy the Vampire Slayer Universe.
Do me a favor, spend a little bit more time in your next article not trying to be a cool kid in the hallway. Instead, dig a little more deeply into the psyche of a populace who is suddenly embracing zombies. For the last time, it's not about what's cool, it's about how scared we are.
-Weston Ochse
Desert Grotto
Mexican Border
Friday, September 10, 2010
Review in Shroud Magazine - Empire of Salt
Shroud Publishing reviewed my novel Empire of Salt. So far everyone likes it. Isn't it odd that a big guy like me can write a story with a 19 year old girl as the star?
In my first novel, Scarecrow Gods, I have a host of male characters, from a young teen boy, to an aged African-American, terribly disfigured Vietnam War vet, to a Roman Catholic Monk, to a homeless man who speaks only in palindromes and anagrams. Guys I can do. Guys are easy. Even my next three novels had strong male leads. So why did I decide to have a 19 year old girl as the hero?
Because I've always been surrounded by strong women and know what they are about. From my wife, to my mother, to all my girl friends, there's not a wilting lily among them. Firm and decisive, yet soft and beautiful, those are the types of women I am used to and the types of women I write. Not to mention that I have a 19 year old daughter, so getting into the mind of a teenager wasn't so hard.
Anyway, thanks to Shroud Magazine for the stellar review. We are one step closer to getting a second printing.
-Weston
Mexican Border
Because I've always been surrounded by strong women and know what they are about. From my wife, to my mother, to all my girl friends, there's not a wilting lily among them. Firm and decisive, yet soft and beautiful, those are the types of women I am used to and the types of women I write. Not to mention that I have a 19 year old daughter, so getting into the mind of a teenager wasn't so hard.
Anyway, thanks to Shroud Magazine for the stellar review. We are one step closer to getting a second printing.
-Weston
Mexican Border
Wednesday, September 8, 2010
CopperCon 30 Report - No Porn Stars Injured
Double-breasted potato boobs, hot pad warmers for my jimmies, and master of ceremonies at the masquerade ball could confuse my dear reader into believing I attended a porn industry convention, or even the soon to be mentioned FroliCon. Although there were some moments of delightful sexual innuendo, let me assuage your fears and say that no porn stars were injured during the course of this convention; at least not in my presence.
CopperCon began for Yvonne and me with a harried morning of packing, taking the dogs to the kennel and generally getting things ready. I’d made a superb dinner the night before of homemade sweet potato risotto and veal loin chops. The only thing I burned was my left hand, sizzling the hell out of it until I had raised ridges from grabbing the handle of the frying pan that I’d used to finish the meat in the oven. After trying several things, I tried a cold tea bag, which miraculously by the next morning reduced the swelling and the heat until there as almost nothing there. Which was a godsend, because I was dead set against having a bandage on my hand the whole convention so I could explain to everyone how stupid I’d been. I prefer to unveil my stupidity on my own terms, thank you.
After a 3.5 hour drive to Phoenix on a clogged interstate, we entered into Mesa. The first thing we learned was that the words ‘Retirement Resort’ was translated into English as ‘Trailer Park for 55+.’ The wide streets were virtually empty. There were hundreds of royal palms shooting a hundred feet into the air and at the base of each one huddled ten or twelve trailers, whose communities rested on the foundation of keeping kids and any reminder of youth as far from them as possible. We had a quick dinner at a local restaurant at five in the afternoon and were the youngest patrons by thirty years. Liver and onions was the first item on the menu. Was this to set the tone for the weekend? Was the fact that the hotel was surrounded by a church on one side, a golf course on the other and a mortuary on the other to be an indication of the events that were about to transpire?
Although the weekend had its share of glitches, the good far outnumbered the bad.
Thanks to mine and Steve Donaldson’s requests, the convention invited a local indie bookstore to the dealer’s room to ensure that the authors at the convention had books to sell. The Poisoned Pen did brisk business, but not with any of my books. The reason? A shipment of all my books and half of Steve Donaldson’s didn’t make it on time. When I found that out, I ran down to a local Hastings bought all my copies they had in stock, and brought them for the fans. Dave Summers sold them from his publishing table. All 12 copies sold.
Met some new fans like Chad, an NPR stringer recently relocated from Indonesia. This was his first convention and had he not come to my reading late Monday, it would have been a lonely hour. Lucky (or unlucky) for him, he got Weston one on one.
Spent some great time with old friends like Kevin and Jeannie McAlanon, Adam Niswander, David Summers, Lord Craig of White Cliffs, Craig Porter, Cary Swaty, and Lee Whiteside.
Met some new author friends like Gini Koch, Dani &Eytan Kollin, and Michael D’Ambrosio.
Gini is the author of Touched by an Alien from Daw books. On my late night panel on Saturday, I was assailed by her, the other female panelist and her three minions, as she called them. And where were FOW? Not a one in sight. You all ought to be a shamed of yourselves. But I handled myself like I was besieged by a battalion of commies, with only myself, knee deep in hand grenade pins, and a bottle opener to protect me. Which means I gave as good as I got. Being a little cold in the room, one of her minions tossed her a pair of recently crocheted hot pads to keep her ‘girls’ warm. She did then set them on the table as everyone laughed. However, the laughter turned into a shocked silence as I grabbed the pads and held them up and said, ‘mind if I use them to keep my jimmies warm?’ The girl who was crocheting them, Chrissy, glared at me and said, ‘those are for my grandma.’ ‘Then make sure you tell her that these have been touched by a horror author, ‘ I said, then dipped them below the level of the table. The room erupted into laughter. She seemed about to cry, but then joined in, albeit a little leery of whether I’d warmed my jimmies or not. Needless to say Gini and I are now friends. Shout out to her daughter and Chrissy, who bought a copy of Empire of Salt which I signed, ‘Thanks for letting me give your grandma a little somethin’ somethin’.’
Dani and Eytan Kollin are friends of Cody Goodfellow. That should be enough to describe them, but if you know Cody, that could mean so so many things. Enjoyed meeting the Kollin brothers. Google them and check out their story. Suffice it to say that their first novel, The Unincorporated Man from Tor, is flat amazing. Superb read. They’re also quite the pair. One person called them The Sci Fi Smothers Brothers. They’re definitely brothers by the way they interact. They invited me to participate in their neverendingpanel.com experience when I’m in L.A. in October. I think it will be a blast.
I also met Michael D’Ambrosio. He’s a small press author with big plans. He’s been to near every convention running in America and gave me the low-down-skinny on many of them, including one in my hometown called Con Nooga that I want to attend, and one called FroliCon, which Yvonne will never let me attend. You can see for yourself.
And of course I got to spend quality time with Steve Donaldson. I have to say, signing a copy of Empire of Salt to him with the inscription – You are the reason I almost failed out of seventh grade—was a highlight. We had a terrific dinner at a local German restaurant. Those round things that look like size 40 DDs are actually potato dumplings. And of course I had to put two of them together. I mean, come on, did you expect any less? Spent a lot of time with Steve just talking about stuff, not writing, just stuff. I enjoyed that. I also enjoyed seeing the look on his face as I compared his character Thomas Covenant to Michael Chikl's’ character on The Shield, which I don’t think anyone had done before.
Then there was the Masquerade Ball. They’d lured me into performing as the Master of Ceremonies. They said it would be easy. They said it would be fun. So it began with 12 minutes of contestants followed by 45 minutes of me standing out in front of the audience looking incredibly intelligent while the three judges ate pizza, washed their laundry, caught a movie, finished a Sudoku book, spell checked War and Peace, watched a Filipino jailhouse version of Doctor Zhivago backwards, and did a shadow puppet show of the entire Lord of the Rings Trilogy using only six hands… and finally tallied the score. It almost got to the point where I was telling pirate jokes. God forbid.
So thanks mucho to all my friends and fans and the convention for a swell time.
My next big convention is Rincon in October, where Wil Wheaton and I will play Rockstar until one of us passes out from laughter.
Here's a link to more pictures from CopperCon 30.
| ||
| From CopperCon 30 |
CopperCon began for Yvonne and me with a harried morning of packing, taking the dogs to the kennel and generally getting things ready. I’d made a superb dinner the night before of homemade sweet potato risotto and veal loin chops. The only thing I burned was my left hand, sizzling the hell out of it until I had raised ridges from grabbing the handle of the frying pan that I’d used to finish the meat in the oven. After trying several things, I tried a cold tea bag, which miraculously by the next morning reduced the swelling and the heat until there as almost nothing there. Which was a godsend, because I was dead set against having a bandage on my hand the whole convention so I could explain to everyone how stupid I’d been. I prefer to unveil my stupidity on my own terms, thank you.
 |
| From CopperCon 30 |
Although the weekend had its share of glitches, the good far outnumbered the bad.
Thanks to mine and Steve Donaldson’s requests, the convention invited a local indie bookstore to the dealer’s room to ensure that the authors at the convention had books to sell. The Poisoned Pen did brisk business, but not with any of my books. The reason? A shipment of all my books and half of Steve Donaldson’s didn’t make it on time. When I found that out, I ran down to a local Hastings bought all my copies they had in stock, and brought them for the fans. Dave Summers sold them from his publishing table. All 12 copies sold.
Met some new fans like Chad, an NPR stringer recently relocated from Indonesia. This was his first convention and had he not come to my reading late Monday, it would have been a lonely hour. Lucky (or unlucky) for him, he got Weston one on one.
Spent some great time with old friends like Kevin and Jeannie McAlanon, Adam Niswander, David Summers, Lord Craig of White Cliffs, Craig Porter, Cary Swaty, and Lee Whiteside.
Met some new author friends like Gini Koch, Dani &Eytan Kollin, and Michael D’Ambrosio.
Dani and Eytan Kollin are friends of Cody Goodfellow. That should be enough to describe them, but if you know Cody, that could mean so so many things. Enjoyed meeting the Kollin brothers. Google them and check out their story. Suffice it to say that their first novel, The Unincorporated Man from Tor, is flat amazing. Superb read. They’re also quite the pair. One person called them The Sci Fi Smothers Brothers. They’re definitely brothers by the way they interact. They invited me to participate in their neverendingpanel.com experience when I’m in L.A. in October. I think it will be a blast.
I also met Michael D’Ambrosio. He’s a small press author with big plans. He’s been to near every convention running in America and gave me the low-down-skinny on many of them, including one in my hometown called Con Nooga that I want to attend, and one called FroliCon, which Yvonne will never let me attend. You can see for yourself.
| |||
| CopperCon 30 |
| ||
| From CopperCon 30 |
So thanks mucho to all my friends and fans and the convention for a swell time.
My next big convention is Rincon in October, where Wil Wheaton and I will play Rockstar until one of us passes out from laughter.
Here's a link to more pictures from CopperCon 30.
Friday, September 3, 2010
COPPERCON Schedule
Today through Monday I'll be up in Phoenix (Mesa) at a big regional convention called CopperCon. Stephen R. Donaldson, myself, Yvonne Navarro and David Summers are author Guests of Honor. When I'm not on panels, I intend to be outside at the edge of the giant heated pool. I think there may even be a cabana. Anyway, you can see that I'll be pretty busy.
Fri 730p-8p, Breakfast Nook. FAN – Opening Ceremonies
Fri 8p-930p, Breakfast Nook. FAN – Meet the Pros
Sat 10a-1130a, Breakfast Nook. FAN – Kaffee Klatsche
Sat 1p-2p, Annex. LIT – Surviving the Zombie Apocalypse
Sat 430p-530p, Dealer’s Room FAN - Autograph
Sat 8p-10p, Court A&B&C COS - Masquerade (toastmaster)
Sun 10a-1130a, Court B FAN – Meet the Guests
Sun 1p-2p, Court B. LIT -Anti-Heroes in Literature (moderator)
Sun 4p-530p, Court A. LIT - Small Press
Sun 5p-6p, Court B. FAN - Disaster Strikes! What to do, What Not to do,What is Just Plain Stupid!
Sun 9p-10p, Court B. LIT - Writer's Groups
Mon 10a-11a, Board. LIT - What's "Real" Science Fiction
Mon 1230p-130p,Breakfast NookLIT - Reading
Stop on by if you can.
Fri 730p-8p, Breakfast Nook. FAN – Opening Ceremonies
Fri 8p-930p, Breakfast Nook. FAN – Meet the Pros
Sat 10a-1130a, Breakfast Nook. FAN – Kaffee Klatsche
Sat 1p-2p, Annex. LIT – Surviving the Zombie Apocalypse
Sat 430p-530p, Dealer’s Room FAN - Autograph
Sat 8p-10p, Court A&B&C COS - Masquerade (toastmaster)
Sun 10a-1130a, Court B FAN – Meet the Guests
Sun 1p-2p, Court B. LIT -Anti-Heroes in Literature (moderator)
Sun 4p-530p, Court A. LIT - Small Press
Sun 5p-6p, Court B. FAN - Disaster Strikes! What to do, What Not to do,What is Just Plain Stupid!
Sun 9p-10p, Court B. LIT - Writer's Groups
Mon 10a-11a, Board. LIT - What's "Real" Science Fiction
Mon 1230p-130p,Breakfast NookLIT - Reading
Stop on by if you can.
Thursday, August 26, 2010
Driving in the Land of Tra La La
Who do you think you are? They say it takes a village to raise a child, but does it take the universe to raise your ego? A motor vehicle is not a self realization device. You are not alone on this planet. The world doesn’t revolve around you. So stop driving slow in the left lane!
Is it just me, or has driving changed over the past twenty years. There was a day when those who were going slower would drive in the right lane, and those who were driving faster drove in the left lane (reverse if you use the U.K standard). If you were in the right lane and wanted to pass, you’d turn on your blinker to indicate that you were changing lanes, change lanes, pass the slower vehicle, turn on your blinker to indicate once again that you were changing lanes, then return to the right lane. That was how thing were. That’s how I drive most of the time. So what the hell happened?
I readily admit that in big cities this is an unrealistic mode of driving. Many times drivers will shift to the left lane to keep from being behind someone who is turning right. I get that. I do the same thing. It’s an acceptable break from the norm. But if you decide to get in the left lane and go slower than those cars in the right, then there’s a problem. And just for the record, if you are going to turn left, a mile and a half is too soon to get in the left lane. Trust me, you’ll have the chance to get in that lane in the last quarter mile. Just use your blinker, not at the last minute as you always do, but in advance, to prepare those drivers behind you of your desire to turn.
So why do you do it? Knowing that you can’t control very much in your life, is the opportunity to control the vehicle you’re driving too much a temptation to mitigate all the other problems in your life? Does your job suck? Are you in a rut? Does your wife order you about? Do you hate your life? Then get a counselor. Don’t try and solve your own mental ills through driving. I’ve seen you set yourself in the left lane with the selfish wherewithal of a ten year old and drive intentionally slow because it gives you power over all the drivers behind you. We know what you are doing. You aren’t really the All Powerful Oz of Automobiles. We know you are either weak-minded and insecure. We can see your thin little ego behind the curtain. So stop.
What? You say you didn’t notice me behind you? You were just driving tra-la-la down the road and there I was?Then you are oblivious. Clearly you weren’t ever informed that the rearview mirror was not for you to put on your make-up, nor was it there for you to crinkle your brown and pretend to be George Clooney, nor was it placed there by a family-centric engineer to enable you to yell at the kids or your elderly relations you’ve strapped to the backseat. FYI, the mirror was placed there so that you could observe the universe around you and get out of its way if necessary. Which means, if I am clearly going faster than you, get out of the fast lane, and get in the slow lane. It doesn’t make you any worse of a person. It isn’t a blow to your ego. It’s what you are supposed to do and demonstrates that you are a fine citizen of the universe.
If you absolutely, positively feel the need to mollify your ego on my behalf, stay out of the right lane and instead meet me at a stop light. I’m used to you pulling up beside me and pretending that your car is faster. I really don’t mind. I’m used to you in your truck, or sedan, or whatever, slamming the pedal to the floor and inching past me in the 100 meter dash. It’s cool. But just realize that I’ve barely pressed the accelerator on my RX-8, maybe half an inch, and I’m keeping up with you. My car is actually faster than yours, but I don't need to mollify my ego and blow you off the line. Truth be told, I paid more for mine. I pay more in maintenance for mine. And if my car ever breaks, I’ll pay a considerable amount more to replace the engine. After all, I have a rotary engine and you have cylinders. But that’s my problem. If you absolutely must drag race me, then I can accept that. What I can’t accept is that because you hate yourself you try and prop up your ego using me as a kickstand. Please, if you see me, or anyone else for that matter, speeding up in the left lane behind you, it means that either you are going too slow, or we are going faster than you. Pull over and let me pass. If you don’t, it’s either an admission of your total lack of concern for others, your selfishness, and your weak-minded insecurity or your complete obliviousness to the universe around you.
We know what you really are.
You aren’t fooling anyone.
Except yourself.
Nuff said.
Weston Ochse
Desert Grotto
Mexican Border
August 2010
Is it just me, or has driving changed over the past twenty years. There was a day when those who were going slower would drive in the right lane, and those who were driving faster drove in the left lane (reverse if you use the U.K standard). If you were in the right lane and wanted to pass, you’d turn on your blinker to indicate that you were changing lanes, change lanes, pass the slower vehicle, turn on your blinker to indicate once again that you were changing lanes, then return to the right lane. That was how thing were. That’s how I drive most of the time. So what the hell happened?
I readily admit that in big cities this is an unrealistic mode of driving. Many times drivers will shift to the left lane to keep from being behind someone who is turning right. I get that. I do the same thing. It’s an acceptable break from the norm. But if you decide to get in the left lane and go slower than those cars in the right, then there’s a problem. And just for the record, if you are going to turn left, a mile and a half is too soon to get in the left lane. Trust me, you’ll have the chance to get in that lane in the last quarter mile. Just use your blinker, not at the last minute as you always do, but in advance, to prepare those drivers behind you of your desire to turn.
So why do you do it? Knowing that you can’t control very much in your life, is the opportunity to control the vehicle you’re driving too much a temptation to mitigate all the other problems in your life? Does your job suck? Are you in a rut? Does your wife order you about? Do you hate your life? Then get a counselor. Don’t try and solve your own mental ills through driving. I’ve seen you set yourself in the left lane with the selfish wherewithal of a ten year old and drive intentionally slow because it gives you power over all the drivers behind you. We know what you are doing. You aren’t really the All Powerful Oz of Automobiles. We know you are either weak-minded and insecure. We can see your thin little ego behind the curtain. So stop.
What? You say you didn’t notice me behind you? You were just driving tra-la-la down the road and there I was?Then you are oblivious. Clearly you weren’t ever informed that the rearview mirror was not for you to put on your make-up, nor was it there for you to crinkle your brown and pretend to be George Clooney, nor was it placed there by a family-centric engineer to enable you to yell at the kids or your elderly relations you’ve strapped to the backseat. FYI, the mirror was placed there so that you could observe the universe around you and get out of its way if necessary. Which means, if I am clearly going faster than you, get out of the fast lane, and get in the slow lane. It doesn’t make you any worse of a person. It isn’t a blow to your ego. It’s what you are supposed to do and demonstrates that you are a fine citizen of the universe.
If you absolutely, positively feel the need to mollify your ego on my behalf, stay out of the right lane and instead meet me at a stop light. I’m used to you pulling up beside me and pretending that your car is faster. I really don’t mind. I’m used to you in your truck, or sedan, or whatever, slamming the pedal to the floor and inching past me in the 100 meter dash. It’s cool. But just realize that I’ve barely pressed the accelerator on my RX-8, maybe half an inch, and I’m keeping up with you. My car is actually faster than yours, but I don't need to mollify my ego and blow you off the line. Truth be told, I paid more for mine. I pay more in maintenance for mine. And if my car ever breaks, I’ll pay a considerable amount more to replace the engine. After all, I have a rotary engine and you have cylinders. But that’s my problem. If you absolutely must drag race me, then I can accept that. What I can’t accept is that because you hate yourself you try and prop up your ego using me as a kickstand. Please, if you see me, or anyone else for that matter, speeding up in the left lane behind you, it means that either you are going too slow, or we are going faster than you. Pull over and let me pass. If you don’t, it’s either an admission of your total lack of concern for others, your selfishness, and your weak-minded insecurity or your complete obliviousness to the universe around you.
We know what you really are.
You aren’t fooling anyone.
Except yourself.
Nuff said.
Weston Ochse
Desert Grotto
Mexican Border
August 2010
Wednesday, August 25, 2010
Ack! It's Murder Almost!
My publisher sent this picture to me. No words. No statement. Just a bloody knife.
Could it mean that he's going to kill me if more copies of Empire of Salt aren't sold? Listen, if you've been waiting to do it later, please don't wait. Do it now. Reach out and get a copy. You could save a life.
A list of places you can purchase this book can be found on the Facebook Page or you can just blow on over to Amazon and order it there. Either way, my editor has a counter in his hand and unless it begins clicking with book sales, I'm about to be as rare as the sabre-toothed tiger.
Could it mean that he's going to kill me if more copies of Empire of Salt aren't sold? Listen, if you've been waiting to do it later, please don't wait. Do it now. Reach out and get a copy. You could save a life.
A list of places you can purchase this book can be found on the Facebook Page or you can just blow on over to Amazon and order it there. Either way, my editor has a counter in his hand and unless it begins clicking with book sales, I'm about to be as rare as the sabre-toothed tiger.
Sunday, August 22, 2010
The Loup Garou Kid
First draft of The Loup Garou Kid is done. Now to let it rest for a few days, then do an edit, then find some readers to QC. A solid 23k novella to conclude the trilogy begun with Vampire Outlaw and seconded with Lord of the Lash and Our Lady of the Boogaloo.
The Artwork from Book II
Friday, August 20, 2010
Warning to all the children
-W
Wednesday, August 18, 2010
Literary Fiction Review 1
I've been reading a lot of literary fiction (LitFic) the last several years. I'm a dark fiction author and I love reading dark fiction, but I believe that reading the same thing you write without respite is akin to inbreeding. Sometimes the LitFic I read is great, sometimes so-so, and sometimes it just doesn't work for me. But isn't that the same with everything?
So what is LitFic? I suppose there are many definitions. If you are to believe Wikipedia, which in this case is as good as any source, the term LitFic is used to "distinguish serious fiction from the many types of genre fiction and popular fiction. In broad terms, literary fiction focuses more on style, psychological depth, and character, the plot may or may not be important. Mainstream commercial fiction focuses more on narrative and plot."
I think that's a specious definition. That genre fiction isn't serious relegates Fahrenheit 451 to the junk bin. The claim to have more style, depth and character, I also find to be applied a little too optimistically, reminding me of the bombastic mean of Thurston Howell III in Gilligan's Island, and how ridiculous his self important, self superior utterances were. Personally, good LitFic tells an important truth and is free from genre tropes. At the end of the day it's the publishing universe that decides what LitFic is, but this definition works for me. Especially the part about telling an important truth.
Allow me to give three examples of what I mean.
Aimee Bender's story Faces was published in the Winter 2009 edition of the Paris Review. This story is a about a young girl with the inability to recognize people as individuals. She cannot tell them apart using what most of us use, a person's face. To her, everyone is the same. Her mother can't understand how her daughter can't relate to people and things the same way as everyone else. At the core, this story is about mother-daughter acceptance. It's also about the truth that there are people out there that do not react to things in the same manner as the rest of us. Knowing this is important. Aimee presented the story from the girl's pov in a heartbreakingly exacting and inapolgetic narrative. Of interest, Faces was shortlisted for the Shirley Jackson Award.
At Mort Castle's recommendation, I bought a collection of short stories written by Pulitzer Prize-winning author Steven Millhauser. The title story to the collection, The Knife Thrower was so reminiscent to Ray Bradbury's ability to capture the quintessence of childhood wonder, it felt like a second coming. Of technical interest is the authors use of first person plural, making a group the protagonist, which lends greater strength to the story in its conclusion. A knife thrower comes to town as part of a circus. Little does the narrator know that there is a cult of masochistic women, who determine their own value on being cut by the knife thrower. When the final contestant/cultist is killed by the knife thrower, the narrator (pluralized as the community) doesn't believe it really happened because such things are too far fetched. Like Bender's writing, there's an element of fabulism in Millhouser's work, rendered skillfully through the prism of wonder held by all children, idealized as society in general. Of interest, this collection was short listed for the O'Henry Award.
Finally we come to Katherine Dunn's Rhonda Discovers Art, her first published work in 20 years. Dunn is the author of Geek Love, a truly amazing novel about the power of persuasion amidst a family of intentionally mutated carnival freaks. In Paper Cuts Blog, Gregory Cowles provides comment from the author regarding the story. “It operates in marginal subcultures and it stars determined though hapless dreamers,” she said. “It pits the art of violence against the violence of art.” Which is Dunn's forte. In the story, after Rhonda kills the bully of her brother, inadvertently causing the death of her brother in the process, she embarks on a life of listless abandon. That is until she is introduced to a performance artist named Ruggs, who stages a piece of art called "Stir Fry," where he sits naked in a bathtub full of water with an electrical current attached, and a switch which he begs the spectators to throw. Rhonda is determined to put him out if his misery, just as she did the bully, and for the first time in years, finds a meaning in her life.
These are three of the more recent works I've read that have left an indelible impression upon me. Seek them out if you get a chance and see if you are able to form the same opinion as me. And if not, let me know.
That's all for now.
Weston Ochse
Desert Grotto
Mexican Border
So what is LitFic? I suppose there are many definitions. If you are to believe Wikipedia, which in this case is as good as any source, the term LitFic is used to "distinguish serious fiction from the many types of genre fiction and popular fiction. In broad terms, literary fiction focuses more on style, psychological depth, and character, the plot may or may not be important. Mainstream commercial fiction focuses more on narrative and plot."
I think that's a specious definition. That genre fiction isn't serious relegates Fahrenheit 451 to the junk bin. The claim to have more style, depth and character, I also find to be applied a little too optimistically, reminding me of the bombastic mean of Thurston Howell III in Gilligan's Island, and how ridiculous his self important, self superior utterances were. Personally, good LitFic tells an important truth and is free from genre tropes. At the end of the day it's the publishing universe that decides what LitFic is, but this definition works for me. Especially the part about telling an important truth.
Allow me to give three examples of what I mean.
Aimee Bender's story Faces was published in the Winter 2009 edition of the Paris Review. This story is a about a young girl with the inability to recognize people as individuals. She cannot tell them apart using what most of us use, a person's face. To her, everyone is the same. Her mother can't understand how her daughter can't relate to people and things the same way as everyone else. At the core, this story is about mother-daughter acceptance. It's also about the truth that there are people out there that do not react to things in the same manner as the rest of us. Knowing this is important. Aimee presented the story from the girl's pov in a heartbreakingly exacting and inapolgetic narrative. Of interest, Faces was shortlisted for the Shirley Jackson Award.
Finally we come to Katherine Dunn's Rhonda Discovers Art, her first published work in 20 years. Dunn is the author of Geek Love, a truly amazing novel about the power of persuasion amidst a family of intentionally mutated carnival freaks. In Paper Cuts Blog, Gregory Cowles provides comment from the author regarding the story. “It operates in marginal subcultures and it stars determined though hapless dreamers,” she said. “It pits the art of violence against the violence of art.” Which is Dunn's forte. In the story, after Rhonda kills the bully of her brother, inadvertently causing the death of her brother in the process, she embarks on a life of listless abandon. That is until she is introduced to a performance artist named Ruggs, who stages a piece of art called "Stir Fry," where he sits naked in a bathtub full of water with an electrical current attached, and a switch which he begs the spectators to throw. Rhonda is determined to put him out if his misery, just as she did the bully, and for the first time in years, finds a meaning in her life.
These are three of the more recent works I've read that have left an indelible impression upon me. Seek them out if you get a chance and see if you are able to form the same opinion as me. And if not, let me know.
That's all for now.
Weston Ochse
Desert Grotto
Mexican Border
Tuesday, August 17, 2010
Message Board Alert!
I just wanted to point out that I have a message board. I know. It's so old school. But that's the way I roll. In this modern realm of social media where clicking links are like having multiple conversations at a party, the message board remains that single one on one conversation that can withstand the test of clicking. When you leave, we are still talking. And you can even come back and we'll still be talking.
Anyway, wanted everyone to realize that I have one place on the web where I regularly talk to friends and fans. I check it every day. You have to log in, but it's free and easy.
Come on by and and ask me something. I have a lot to talk about. Don't you?
http://www.briankeene.com/forum/index.php?board=90.0
Anyway, wanted everyone to realize that I have one place on the web where I regularly talk to friends and fans. I check it every day. You have to log in, but it's free and easy.
Come on by and and ask me something. I have a lot to talk about. Don't you?
http://www.briankeene.com/forum/index.php?board=90.0
Friday, August 13, 2010
Essay - 13 August
Artists and Revolutionaries
By Weston Ochse © 2010
I’ve been inundated with labels my entire life. From being a teenager to a Buck Private in the Army, through the ranks, past my time as a DoD Contractor and to now, where I am what’s called a Govie (Government Civilian). I’m a husband and a father. I’m a son, a grandson, a cousin and a brother. In my writing persona I’ve been called a poet, a horror author, a dark fiction author, a fabulist, a cross-genre, multi-genre, whatever-genre author. I’ve been a screenwriter. I’ve been a winner of awards, a loser and a never ran. I’ve been a professionally published author, a small press author, a micro press author, and a mass market author. I’ve been an instructor and a professor. I’m a master of fine arts. I’m a martial artist. I’m an American. I’m a self-proclaimed Southerner, even though I’m probably really a Westerner. For those who know me, they know I am a cowboy in the boat of Ra. I proclaim in my email signatures that I am a stuntman for hire and a superhero for rent. I am all of these and let me tell you, it gets tiresome trying to explain it all.
I suppose it would be easier if we were like products on the shelves and had labels to indicate what we are. Imagine a world where T-shirts no longer sported sassy sayings or I’m with Stupids, but instead provided a single label to indicate what the wearer was. It would definitely streamline identity. But the problem is myself, like all of you, are many things at once. I am every one of those labels in the preceding paragraph. I never stop being any one of them. The only thing that changes is the order, descending from most to least used.
So then who am I? If a stranger was to approach me and they weren’t carrying a gun or a subpoena what do I say I am? I could rattle off all my labels. That would be the most accurate. I could give the Cliff Note-Sparks version, and just provide the top five labels currently being most used. But that still gives me short shrift. So there’s the rub. How can I identify myself so that all the labels are indicated, but I don’t run out of breath or bore the listener to death?
I was listening to National Public Radio the other day, either coming to work, going home for lunch to walk blind dog, or running some errand. Fresh Air was on which is one of my favorite shows. More often than not they interview or highlight someone in the arts-- check labels above: master of fine arts and a multi-labeled author which is a kind of artist but not martial artist-- which is of great interest to me. So as I drove I listened and was introduced to Rafael Yglesias. An American novelist, screenwriter of “From Hell,” Dark Water,” “Les Misérables,” and “Fearless,” mass market author, award winner, second generation Cuban American and New Yorker, Rafael was interviewed for his new novel, “A Happy Marriage,” which recently won the Los Angeles Times Book Award. During the course of the interview he said something that lodged in my brain. When referring to his father’s desire not to see him waste his life, he said that his father believed that there are only three kinds of people in this world: artists, revolutionaries and all the rest.
That stuck with me all week.
Do you mean there can only be three labels? Everything I am, all those nouns I placed in the first paragraph as synechdoche, the entire litany of labels stacked man-high can be crystallized into just three things? Understanding that these three labels—artist, revolutionary and all the rest—aren’t completely descriptive, they do capture the heart and soul of everything it is to be us.
On the face of it, it might seem that ‘all the rest’ should have the largest population. But I don’t think so, because the other two are so all inclusive. You see, revolutionaries are those that point the way, while artists are those who interpret and translate what the revolutionary is saying.
Revolutionaries can come in many forms. They are researchers, scientists, adventurers, and philosophers. They are politicians and the downtrodden who desire something else. They are social engineers who create new ways to interact. They are inventors. They can be anyone, as long as they are somehow trying to find a new way to do something.
And artists? We are the translators. We tell the world, either through fictional metaphor and hyperbole, or through factual non-fiction about the revolutions. We paint. We draw. We sculpt. We act. We street perform and we even mime.
Artists and revolutionaries have a special symbiosis. We can live without the other but we cannot succeed without the other. What is a revolution if no one knows about it? What is a story if it’s about nothing?
That leaves us with ‘all the rest?’ Who are they?
Those unlucky few who are members of this group are those who don’t yet realize that they can be an artist simply by translating something. Whether it’s a blog or an email to a friend, it could interpret a revolutionary idea. It might not be very good, but then we never said that for something to be art it had to be good. Good is an observation filtered by each observer’s personal history. No, it merely has to exist for it to be art.
‘All the rest’ can also be revolutionaries. There will come a time when they will want to do something better, faster, stronger. They will want to change the way things have been done. They will become tired of the status quo and devise a way to remove themselves from it.
It’s important to note that we aren’t limited to being either an artist or a revolutionary. We don’t have to choose. We can be both. We are both. As artists we find new ways to perform our art. As revolutionaries we try different methods to inform the masses.
So really we are all artists and revolutionaries.
I am an artist and revolutionary.
All those labels can be gone. Everything people call me must change. From here on out I shall be referred to as an artist and a revolutionary. What fine things to be those are; makes me proud and happy to be alive. When I wake up in the morning, I’m waking up as an artist and a revolutionary. When I sit down on the couch to watch television, I am holding the remote control as an artist and revolutionary. When I water the plants and stare at the broad western sky, I am an artist and a revolutionary.
If only that could last.
Somewhere, sometime, someone will ask me, “But what kind of revolutionary are you? What kind of artist are you?” Then I will have to resurrect the labels. “I’m an author,” I’d say with a wan smile, knowing that the next question will be, “What kind of author are you?”
And the labels will return. But even with all the labels. Even with the litany of what I am, at the end of the day I am an artist and a revolutionary. And I like being those.
Weston Ochse
Desert Grotto
Mexican Border
August 2010
By Weston Ochse © 2010
I’ve been inundated with labels my entire life. From being a teenager to a Buck Private in the Army, through the ranks, past my time as a DoD Contractor and to now, where I am what’s called a Govie (Government Civilian). I’m a husband and a father. I’m a son, a grandson, a cousin and a brother. In my writing persona I’ve been called a poet, a horror author, a dark fiction author, a fabulist, a cross-genre, multi-genre, whatever-genre author. I’ve been a screenwriter. I’ve been a winner of awards, a loser and a never ran. I’ve been a professionally published author, a small press author, a micro press author, and a mass market author. I’ve been an instructor and a professor. I’m a master of fine arts. I’m a martial artist. I’m an American. I’m a self-proclaimed Southerner, even though I’m probably really a Westerner. For those who know me, they know I am a cowboy in the boat of Ra. I proclaim in my email signatures that I am a stuntman for hire and a superhero for rent. I am all of these and let me tell you, it gets tiresome trying to explain it all.
I suppose it would be easier if we were like products on the shelves and had labels to indicate what we are. Imagine a world where T-shirts no longer sported sassy sayings or I’m with Stupids, but instead provided a single label to indicate what the wearer was. It would definitely streamline identity. But the problem is myself, like all of you, are many things at once. I am every one of those labels in the preceding paragraph. I never stop being any one of them. The only thing that changes is the order, descending from most to least used.
So then who am I? If a stranger was to approach me and they weren’t carrying a gun or a subpoena what do I say I am? I could rattle off all my labels. That would be the most accurate. I could give the Cliff Note-Sparks version, and just provide the top five labels currently being most used. But that still gives me short shrift. So there’s the rub. How can I identify myself so that all the labels are indicated, but I don’t run out of breath or bore the listener to death?
I was listening to National Public Radio the other day, either coming to work, going home for lunch to walk blind dog, or running some errand. Fresh Air was on which is one of my favorite shows. More often than not they interview or highlight someone in the arts-- check labels above: master of fine arts and a multi-labeled author which is a kind of artist but not martial artist-- which is of great interest to me. So as I drove I listened and was introduced to Rafael Yglesias. An American novelist, screenwriter of “From Hell,” Dark Water,” “Les Misérables,” and “Fearless,” mass market author, award winner, second generation Cuban American and New Yorker, Rafael was interviewed for his new novel, “A Happy Marriage,” which recently won the Los Angeles Times Book Award. During the course of the interview he said something that lodged in my brain. When referring to his father’s desire not to see him waste his life, he said that his father believed that there are only three kinds of people in this world: artists, revolutionaries and all the rest.
That stuck with me all week.
Do you mean there can only be three labels? Everything I am, all those nouns I placed in the first paragraph as synechdoche, the entire litany of labels stacked man-high can be crystallized into just three things? Understanding that these three labels—artist, revolutionary and all the rest—aren’t completely descriptive, they do capture the heart and soul of everything it is to be us.
On the face of it, it might seem that ‘all the rest’ should have the largest population. But I don’t think so, because the other two are so all inclusive. You see, revolutionaries are those that point the way, while artists are those who interpret and translate what the revolutionary is saying.
Revolutionaries can come in many forms. They are researchers, scientists, adventurers, and philosophers. They are politicians and the downtrodden who desire something else. They are social engineers who create new ways to interact. They are inventors. They can be anyone, as long as they are somehow trying to find a new way to do something.
And artists? We are the translators. We tell the world, either through fictional metaphor and hyperbole, or through factual non-fiction about the revolutions. We paint. We draw. We sculpt. We act. We street perform and we even mime.
Artists and revolutionaries have a special symbiosis. We can live without the other but we cannot succeed without the other. What is a revolution if no one knows about it? What is a story if it’s about nothing?
That leaves us with ‘all the rest?’ Who are they?
Those unlucky few who are members of this group are those who don’t yet realize that they can be an artist simply by translating something. Whether it’s a blog or an email to a friend, it could interpret a revolutionary idea. It might not be very good, but then we never said that for something to be art it had to be good. Good is an observation filtered by each observer’s personal history. No, it merely has to exist for it to be art.
‘All the rest’ can also be revolutionaries. There will come a time when they will want to do something better, faster, stronger. They will want to change the way things have been done. They will become tired of the status quo and devise a way to remove themselves from it.
It’s important to note that we aren’t limited to being either an artist or a revolutionary. We don’t have to choose. We can be both. We are both. As artists we find new ways to perform our art. As revolutionaries we try different methods to inform the masses.
So really we are all artists and revolutionaries.
I am an artist and revolutionary.
All those labels can be gone. Everything people call me must change. From here on out I shall be referred to as an artist and a revolutionary. What fine things to be those are; makes me proud and happy to be alive. When I wake up in the morning, I’m waking up as an artist and a revolutionary. When I sit down on the couch to watch television, I am holding the remote control as an artist and revolutionary. When I water the plants and stare at the broad western sky, I am an artist and a revolutionary.
If only that could last.
Somewhere, sometime, someone will ask me, “But what kind of revolutionary are you? What kind of artist are you?” Then I will have to resurrect the labels. “I’m an author,” I’d say with a wan smile, knowing that the next question will be, “What kind of author are you?”
And the labels will return. But even with all the labels. Even with the litany of what I am, at the end of the day I am an artist and a revolutionary. And I like being those.
Weston Ochse
Desert Grotto
Mexican Border
August 2010
Thursday, August 12, 2010
New Radio Interview with Music, Zombies and Jousting
I was just interviewed by DJ Gard Goldsmith out of Boston. It's a radio podcast lasting about 40 minutes where I talk about Empire of Salt, the Mexican Border, Abaddon Books, Coppercon, Stephen R. Donaldson and the glory of anti-heroes! We touch on a myriad of subjects. He reads from a section of Empire of Salt. He also does the crazy DJ thing. Oh... there's music too.
Click on the link and listen or put it in the background for a bit.
Cheers
Click on this Link
Click on the link and listen or put it in the background for a bit.
Cheers
Click on this Link
Tuesday, August 10, 2010
Book I'd Like to be Buried With
http://www.mathewfriley.com/2010/08/weston-ochse-the-book-i-would-like-to-be-buried-with/
Friday, August 6, 2010
!$%^!
The Loser Manifesto
By Weston Ochse © 2010
“It’s not so bad.”
“They didn’t mean it.”
“They must have forgot about me.”
“We’ll get them next time.”
“We was robbed.”
These are all rationalizations for failure. We say them because they make us and the people around us feel better, because after all, it’s more important to feel better about something than to actually do better at something.
It’s utterly amazing to me the lengths we will go to make ourselves feel better about mediocrity. Let me point out that middle of the pack isn’t winning. Even if we are first of all the middle, we are still losers. So for the record, mediocrity is loserocrity.
Last night, while watching my 109 pound, blind, ten month old Great Dane pretend to be Ricochet Rabbit in the living room, I was trying to write. On the television was a movie I’d recorded a few days ago. Called ‘Second Best’ and starring Joe Panteliano, it was about a man who was essentially the king of losers. He never sought to be first. He always rationalized his inability to win. Even when he was offered a chance to win at something, he turned it down. And this is the crux of this essay. The reason he turned it down was control. He could control his own loserocrity. He enjoyed being better than the worst. By trying to win at something, he put himself in a position to be let down, which would shatter his perception as being best of the worst. He surrounded himself with friends who on the surface seemed normal, but who really were worse off than him in some way. By being their friends, he was actually a winner among losers. Does this sound familiar?
I thought about this and some of the group dynamics with which I’ve been involved. From my perception, I can see the truth of it. I’ve been a part of groups where there were people with more problems than me. I was better. If we were just a mediocre group of guys, then I was the Emperor of the Mean. But a funny thing happened on the way to the throne. I discovered it was crowded. You see, all of us in the group had our own perceptions about ourselves and the other members. All of us thought we were superior. There was a study sometime back where members of a group were asked a series of questions wherein they had to rank the other members in terms of success, looks, sexual prowess (perceived I imagine), and a host of other things. What happened was that no one person received more than one fist place vote in any category, and those votes most always went to the one casting the vote.
So what does this tell us? It tells me that our perceptions or misperceptions of reality are grand coping mechanisms. They are evolutionary delusions designed to keep us from going off the deep end. Look at a pack of wolves, for example. There can only be one alpha male. The other wolves, recognizing the superiority of the alpha and their own inferiority, succumb and become part of the pack. Perhaps the wolves cope with the idea that they are doing something beneficial to the pack which allows them to stay in line. Forgive my anthropomorphismic metaphor, but it’s what losers do to try and rationalize mediocrity. After all, there has to be a reason that 99 percent of us are willing to be second best.
In the movie, part of Joey Pants’ manifesto said that 99% of the world is losers. 33% of them are oblivious to their position in life. They were born losers and don’t even know, nor do they care, if they are losers. The next 33% know they’re losers and don’t care. They instead feel good about the one percent that succeed. The final 33%, the one that Joe Pants assigned for himself, was the group that was cripplingly envious and hated the 1% for their success. Moreover, they lived a life of Schadenfreud, taking pleasure at the misery of others.Which makes me wonder about Reality Television. We really don’t watch it because we are idolizing the people. We don’t watch it to elevate persons to a winner status. If so, then why is the number one rated American Idol shows those that show the losers at tryouts? No, we watch reality television because we want to feel better about ourselves by watching other people’s failures. In this day and age one can shuffle never move more than twenty feet a day and feel more superior than someone else. Their lives revolve around the circular journey from their bedroom to their living room to the bathroom, sitting on the couch with remote in hand like it’s a magic wand. And it is. It makes them feel better about who they are because at least they aren’t a has been B Movie Star stumbling drunk and crying on the set of a television show because his wife left him and his child filmed him eating a hamburger off the floor; nor are they a South Jersey orange-skinned girl destined to be three hundred pounds, but already an emotional train wreck because cruising the mall never taught her the vicissitudes of real life behavior and how to get what she wants without stomping her feet; nor are they like the man going to a fake court with a fake judge being sued by his real son because he failed to pay for the kids braces; nor are they swapping wives, getting interventions, or hoarding cats, dogs, or little statues of Elvis Presley. In fact, after an hour of someone else’s misery they feel awesome about themselves.
Sporting events give us more opportunities to feel better. Being American is a distinct advantage. After all, when an American is on the podium winning a gold medal he is doing it for us, which means that we win too. We are winners because of the track stars, the basketball players, the football players… thank god for all those winners, because if my team won, it means that your team lost.
Perhaps there is a dearth of Alpha Males. Here’s a question. What if there are hundreds or thousands of groups of friends without a real Alpha Male, with each member wanting to be an alpha but unable to do so? That means that we group together as losers. Do we practice Shadenfreud as a spectator sport? Do we rack and stack each other?
Of course there’s one definite way to avoid all this. It’s really simple. We stop rationalizing. We stop saying things like, “I’m not as fat as the next guy” or “I never really had a shot because I didn’t even try.” We stop making excuses. Instead, we begin doing. We try and win. If we lose, then we admit to losing and move on.
Don’t think that I’m one of those egotistical people who believes that he should win everything all the time. I’m not. And I’m not saying that you should, either. What we should do however is try and win occasionally. Most of us are comfortable in our mediocrity, but that comfort is mediated by our ability to win sometimes. It gives us something for which to strive. It allows us a memory of winning and achieving something special we can use during the down times. And if in the end we can’t seem to win anything at all, then we can still be winners, reliving those bright moments when we were not losers.Remember, schadenfreud is alive and well in Reality Television and in group dynamics. It’s a game everyone can play, where you the viewer and sometimes participant will always be left with the delusional perception that you are better, and that life aboard the Starship Sofa is that which you’ve always dreamed.
Do me a favor. Keep that pose. Think those thoughts. Be that loser. I want you there. It will make it much easier for me to win. Here, let me pat you on the head and tell you how awesome you almost were.
Weston Ochse
Desert Grotto
Mexican Border
August 2010
Tuesday, August 3, 2010
This Makes it All Worthwhile
Sadly, this young lady wasn't aware that Empire of Salt wasn't beach reading material. She didn't know that the book takes place on a beach. She also didn't know the zombies come from the water. So sad for her.
Monday, August 2, 2010
I Will Not Read Your F%*king Script
Screenwriter Josh Olson, who penned the script for A History of Violence, had a rant in the Village Voice last September titled I Will Not Read Your Effing Script. From a writers point of view it really hit home. I can't tell you how many times I've been asked to read something by someone else. On those occasions when I fold, I most always resent it. I end up spending too much of my time working on someone else's work, only to receive a short unhappy comment from the guy or gal, who really only wanted me to tell him that his or her work was just an awesome effing piece of work and should be mounted in the Louvre.
Enough of my drivel. Check out the article.
(On an interesting 6 Degrees of Kevin Bacon note, the cover artist for the first two novels in the Cycle of the Aegis Trilogy (Recalled to Life and The Golden Thread) is Vince Locke, who also did the cover art for the graphic novel, A History of Violence.)
Enough of my drivel. Check out the article.
(On an interesting 6 Degrees of Kevin Bacon note, the cover artist for the first two novels in the Cycle of the Aegis Trilogy (Recalled to Life and The Golden Thread) is Vince Locke, who also did the cover art for the graphic novel, A History of Violence.)
Friday, July 30, 2010
Writing on Borrowed Time: The Lindsay Lohan Method
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| Random Elvis Picture (From Azteca Mexican) |
Maybe I should go to jail. According to Lindsay Lohan’s lawyer, “She’s writing a lot. She’s creating art…” Hell. People pay for this sort of author’s retreat (Ians).
But alas, I am unwilling to head to the big house. Not only don’t I want to be someone’s love puppet, but I just hate the feel of jumpsuits against my crotch.
Karen Fenech recommends doing what I normally do, which is to rationalize your goals. “Part of my problem with getting my writing done was that I wouldn’t write unless I could reserve a big block of time to do it. I rarely could do that, so I didn’t write at all. Once I stopped thinking in terms of hours-- and started thinking in minutes-- I got my writing done.”
Personally, I like to set goals. Tom Piccirilli once told me his secret of magical output: five pages a day. I keep to this mercilessly when I’m on task. My fellow National University alumnus Sahag Gureghian also agrees. When finding time to write, he believes in setting goals. “I can’t stress the importance of this. Having goals is key. I’ve found writing my goals down really helps me stay focused. Whenever I get distracted, I read my goals and am reminded of what I am trying to do and why.”
But even with a goal of five pages, when my allotted time is up, that’s really all I’m able to do. Karen thinks in terms of minutes, I think in terms of pages. Maybe I need to up the quota. Maybe seven pages. Or ten. Or 15. Maybe by virtue of having a greater goal, I'll be able to achieve it.
Buddy Brian Keene squirts 15,000 words on a Saturday. But knowing him, he’s chained to the computer, blood pouring from his eyes, fingertips taped to keep the nails in place, as he works all day and into the wee hours of the morning. I just can’t do that.
I once read a copy of Esquire that gave me an idea. I can’t remember the issue, but I know it was published in the mid-90s and it had Steve Martin on the cover. Anyway, this issue had an article about berthing aboard merchant ships. Evidently, merchant ships have a few passenger berths. You can get the solitude, the ocean, and the voyage, without the hassle of screaming children, buffet stampedes, and high seas karaoke. The author of the article packed a case of wine, his laptop and sailed to Asia. By the time he arrived, his novel was complete.
Short of an overseas voyage, I’m starting to think seriously of the Lindsay Lohan method. Imagine days where all I have to do is write. It sounds like heaven to me. Even if I do have to wear jumpsuits. Even if I do have to be someone’s love puppet.
Works Cited
Fenech, Karen. “Finding Time to Write When You Have No Time To Write.” Absolute Write. n.d. Web. 30 July 2010. http://absolutewrite.com/novels/finding_time_to_write.htm.
Gureghian, Sahag. “Finding the Time to Write.” We the Bistro. 22 February 2010. Web. 30 July 2010. http://mediabistro.posterous.com/finding-the-time-to-write.
Ians. “Lindsay Lohan Spending Time in Jail Writing and Eating.” Entertainment Daily. 29 July 2010. Web. 30 July 2010. http://blog.taragana.com/e/2010/07/29/lindsay-lohan-spending-jail-time-writing-and-eating-153456/.
Tuesday, July 27, 2010
Dog Days of Summer
I am a dog person. I've owned several mutts, a Blue Tick Coon Hound, a Bull Terrier and four Great Danes. Or rather, they owned me. Right now we have three Great Danes in our casa. Allow me to introduce them.
Goblin is a 170 pound merle with golden eyes who was abused by a man, which means he is terrified of all men, which means he is terrified of me sometimes. Even after five years he still shivers and shakes. He's 7 yrs old.
Ghost is a 120 pound white with blue eyes. She's deaf. She was set on fire when she was six months old and has a large scar by her front leg. Now she's 5 yrs old and other than being ravenous at mealtime, she's well adjusted, and as ditsy as can be.
Ghoulie is our newest. She's a 100 pound 10 month old puppy. She's white as well. And she is as blind as a Ray Charles bat. We just got her 4 weeks ago after a 4000 mile road trip in 5 days to Charlotte. Now, when she'd not sleeping in the crate, she's being watched by either Von or me. I spend about 3 hours every night repeated the words, watch it, no, and stop about 50,000 times. She is the canine equivalent of a toddler... a toddler on a hotplate. For she will leap wildly at anything and anyone who makes a noise near her.
I am relearning patience. I am enjoying the love of this new dog. I am also trying not to laugh when she runs into the wall. It's not funny. Not really. Well. maybe a little bit. Still, I try not to laugh. Just so you know.
Goblin is a 170 pound merle with golden eyes who was abused by a man, which means he is terrified of all men, which means he is terrified of me sometimes. Even after five years he still shivers and shakes. He's 7 yrs old.
 |
| Left to Right -Ghost, Goblin, Yvonne and Ghoulie |
Ghost is a 120 pound white with blue eyes. She's deaf. She was set on fire when she was six months old and has a large scar by her front leg. Now she's 5 yrs old and other than being ravenous at mealtime, she's well adjusted, and as ditsy as can be.
Ghoulie is our newest. She's a 100 pound 10 month old puppy. She's white as well. And she is as blind as a Ray Charles bat. We just got her 4 weeks ago after a 4000 mile road trip in 5 days to Charlotte. Now, when she'd not sleeping in the crate, she's being watched by either Von or me. I spend about 3 hours every night repeated the words, watch it, no, and stop about 50,000 times. She is the canine equivalent of a toddler... a toddler on a hotplate. For she will leap wildly at anything and anyone who makes a noise near her.
I am relearning patience. I am enjoying the love of this new dog. I am also trying not to laugh when she runs into the wall. It's not funny. Not really. Well. maybe a little bit. Still, I try not to laugh. Just so you know.
Wednesday, July 21, 2010
NECON 30 REDUX
NECON has come and gone. I feel at once energized and exhausted. But like always, I’m glad that I went.
For those of you who don’t know, NECON is one of the best kept secrets of the horror genre. It stands for North East Horror Writer’s Convention and was started by Bob Booth thirty years ago. Most of the time it’s held at Roger Williams University and is more of a summer camp than a convention. By that I mean instead of focusing on the panels, the convention focuses on events that bring people together. Whether it be mini-golf, croquet, midnight darts, softball or just hanging out in the quad until sunrise, most of the NECONites, as we are known, stress the Camp-esque qualities of NECON over the Con-esque qualities.
When I think of NECON I think of sitting drinking scotch with Peter Straub. I think of shooting the shit with Jack Ketchum, who sometimes calls me Warren, even though I’ve known him for more than ten years. I think of the Cabal, Brian Keene and FUKU, who are usually in attendance. I think of the New York Contingent with my spiritual mentor Douglass Clegg, my horror enabler Matt Swartz, Red Ranger Alexa DeMonterice, Ginjer Buchanan, Gina and Jane Osnovich, Nick Cato, Nick Kaufman, Tracy Carbone, Lisa Manetti, Dave Simms, Monica O’Rourke and Linda Addison. I think of Holly Newstein and Rick Hautala, who I know would be even better friends if I could make them move away from the frigid north. West Coasters Hal Bodner and John Skipp were a treat. Shout out to Rich Dansky, Jack Haringa and Nate Kenyon.
So what’s new from NECON this year? The rumors about me wearing a dress may or may not be true, but if they are true, it was only as part of a costume to roast Elizabeth Massie and Courtney Skinner. Joe Hill popped in and we had some nice conversations about motorcycles. Heather Graham came in and almost stole the show. Rio Youers slipped past border patrol and managed to grace his way into everyone’s hearts with his guitar and “aw shucks” demeanor. The McIlveen girls are almost all of legal age now which is about as dangerous as the US vs Russia circa 1980. Any attempt to touch them would certainly cause Mutually Assured Destruction, emanating from Papa John and any number of Big Brother NECONites.
It was awesome seeing James A. Moore and Chris Golden. These guys are at the top of their game and shine brightly. Speaking of the top of the game, F. Paul Wilson and Tom Monteleone were also there. Steve Spruill was supposed to come, but he had a last minute engagement and was sorely missed.
Some new folks I haven’t mentioned yet that it was a pleasure to meet (and those I rarely see) include Sheldon Higdon, William Carl, John Dixon, Mike Arruda, Danny Evarts, Scott McCoy, Jason Harris, Mike Meyers, Norm Prentiss, Shelby Rhodes, L.L. Soares, Doug Winter and Craig Wolf.
Images that will stick in my mind are: Mickey Sardina doing a belly dance in a Godzilla Costume (Hubba Wow); Anya Martin lip-sinking to “Tea for Two”; Dan Keohane, my favorite Hawaiian author, screeching Yeeehaaa over and over ( I thought he was going to pop out an eye); Kelly Laymon expending the energy drinks she drank four years ago by doing the 1980s Man Dance; James Roy Daley (killer new writer beating the bongos ); Matt Bechtel with his hand up his own ass (you had to be there); and of course Mattie Brahan faux tap dancing with a murderous Cthulhu doll.
I can’t forget to thank Sara Calia for picking me up and Dan Foley for dropping me off. Thanks to the Booths, one and all. And most of all thanks to my editor-in-chief from Abaddon Books, Jon Oliver, for sending 50 copies of Empire of Salt to the campers. They loved it and we left them wanting more.
I also can’t forget my amazing wife. While I might have been dressed as Elizabeth Massie, she also might have been dressed like Courtney Skinner. Is it me, or does she still look hot with a bald head and old man suspenders.
Thanks to everyone. If I left you out it was for no other reason than I ran out of steam. Each and every NECONite made my trip an excellent one. Now if only I can figure out how to get there without having to take ten different flights, with a dozen screaming babies on each one.
Hmm.
Where’s Dan Simmons and his Farcaster when you need it?
For those of you who don’t know, NECON is one of the best kept secrets of the horror genre. It stands for North East Horror Writer’s Convention and was started by Bob Booth thirty years ago. Most of the time it’s held at Roger Williams University and is more of a summer camp than a convention. By that I mean instead of focusing on the panels, the convention focuses on events that bring people together. Whether it be mini-golf, croquet, midnight darts, softball or just hanging out in the quad until sunrise, most of the NECONites, as we are known, stress the Camp-esque qualities of NECON over the Con-esque qualities.
When I think of NECON I think of sitting drinking scotch with Peter Straub. I think of shooting the shit with Jack Ketchum, who sometimes calls me Warren, even though I’ve known him for more than ten years. I think of the Cabal, Brian Keene and FUKU, who are usually in attendance. I think of the New York Contingent with my spiritual mentor Douglass Clegg, my horror enabler Matt Swartz, Red Ranger Alexa DeMonterice, Ginjer Buchanan, Gina and Jane Osnovich, Nick Cato, Nick Kaufman, Tracy Carbone, Lisa Manetti, Dave Simms, Monica O’Rourke and Linda Addison. I think of Holly Newstein and Rick Hautala, who I know would be even better friends if I could make them move away from the frigid north. West Coasters Hal Bodner and John Skipp were a treat. Shout out to Rich Dansky, Jack Haringa and Nate Kenyon.
So what’s new from NECON this year? The rumors about me wearing a dress may or may not be true, but if they are true, it was only as part of a costume to roast Elizabeth Massie and Courtney Skinner. Joe Hill popped in and we had some nice conversations about motorcycles. Heather Graham came in and almost stole the show. Rio Youers slipped past border patrol and managed to grace his way into everyone’s hearts with his guitar and “aw shucks” demeanor. The McIlveen girls are almost all of legal age now which is about as dangerous as the US vs Russia circa 1980. Any attempt to touch them would certainly cause Mutually Assured Destruction, emanating from Papa John and any number of Big Brother NECONites.
It was awesome seeing James A. Moore and Chris Golden. These guys are at the top of their game and shine brightly. Speaking of the top of the game, F. Paul Wilson and Tom Monteleone were also there. Steve Spruill was supposed to come, but he had a last minute engagement and was sorely missed.
Some new folks I haven’t mentioned yet that it was a pleasure to meet (and those I rarely see) include Sheldon Higdon, William Carl, John Dixon, Mike Arruda, Danny Evarts, Scott McCoy, Jason Harris, Mike Meyers, Norm Prentiss, Shelby Rhodes, L.L. Soares, Doug Winter and Craig Wolf.
Images that will stick in my mind are: Mickey Sardina doing a belly dance in a Godzilla Costume (Hubba Wow); Anya Martin lip-sinking to “Tea for Two”; Dan Keohane, my favorite Hawaiian author, screeching Yeeehaaa over and over ( I thought he was going to pop out an eye); Kelly Laymon expending the energy drinks she drank four years ago by doing the 1980s Man Dance; James Roy Daley (killer new writer beating the bongos ); Matt Bechtel with his hand up his own ass (you had to be there); and of course Mattie Brahan faux tap dancing with a murderous Cthulhu doll.
I can’t forget to thank Sara Calia for picking me up and Dan Foley for dropping me off. Thanks to the Booths, one and all. And most of all thanks to my editor-in-chief from Abaddon Books, Jon Oliver, for sending 50 copies of Empire of Salt to the campers. They loved it and we left them wanting more.
I also can’t forget my amazing wife. While I might have been dressed as Elizabeth Massie, she also might have been dressed like Courtney Skinner. Is it me, or does she still look hot with a bald head and old man suspenders.
Thanks to everyone. If I left you out it was for no other reason than I ran out of steam. Each and every NECONite made my trip an excellent one. Now if only I can figure out how to get there without having to take ten different flights, with a dozen screaming babies on each one.
Hmm.
Where’s Dan Simmons and his Farcaster when you need it?
Sunday, July 11, 2010
July Update - Zombies, BBQ Clams, Krystals Burgers and Rescued Great Danes
Lots of things happening the last couple of weeks. Let's start with the trip to San Francisco. Yvonne and I went to spend time at our friend Rain Graves marriage. As a bonus, we also spent time with our nephew, Tad Dodson. When we weren't having an
excellent and extravagant time at the wedding and ensuing reception, we visited The Castro, went to Marin County, Experienced the amazing culinary experience of BBQ Clams from Olema Farmhouse, and spent time walking the streets of San Francisco. It was an awesome weekend spent over Father's Day and my Birthday. (Pictures of the trip)
Next we found it necessary to travel 4000 miles in 5 days by car back and forth across America. Why? Because there was a blind Great Dane at a rescue in Charlotte, N.C. we needed to pick up and take home. This makes three Great Danes in the house, all of whom have their own quirks and problems. It's stunning how much time a blind toddler takes up, though. At 9 months old Mad Dog Ghoulie Sonar Brain is about 100 pounds and acts like a hyperactive toddler on a hotplate. Oh My. We have our hands full.
(Pictures of the trip)
Then came the Fourth of July, but before that I had a book signing at Barnes and Nobles Westside Tucson. We sold all 20 copies and it was a blast. (Pictures)
Then the 4th, then I was away for a week on business to Virginia Beach.
Now I'm back, but I also had a book signing in Bisbee, AZ yesterday. We sold 6 books, but the store kept six. Add that to the 12 that was burned in the truck fire,
then that makes 24. Yes. I said truck fire. Evidently, a truck from Ingram's Oregon warehouse had a tragic accident and caught fire. The driver was hospitalized. No books survived. (Pictures)
Now today is a relatively peaceful day. I got up early and walked all three dogs, watered plants, fed dogs, made coffee and a frittata for my wife who's been under appreciated these last few weeks.
Next week is NECON. It's going to be a special one.
 |
| From San Fran 2010 |
Next we found it necessary to travel 4000 miles in 5 days by car back and forth across America. Why? Because there was a blind Great Dane at a rescue in Charlotte, N.C. we needed to pick up and take home. This makes three Great Danes in the house, all of whom have their own quirks and problems. It's stunning how much time a blind toddler takes up, though. At 9 months old Mad Dog Ghoulie Sonar Brain is about 100 pounds and acts like a hyperactive toddler on a hotplate. Oh My. We have our hands full.
 |
| From Operation Get Ghoulie |
Then came the Fourth of July, but before that I had a book signing at Barnes and Nobles Westside Tucson. We sold all 20 copies and it was a blast. (Pictures)
Then the 4th, then I was away for a week on business to Virginia Beach.
Now I'm back, but I also had a book signing in Bisbee, AZ yesterday. We sold 6 books, but the store kept six. Add that to the 12 that was burned in the truck fire,
 |
| From Bisbee Signing |
Now today is a relatively peaceful day. I got up early and walked all three dogs, watered plants, fed dogs, made coffee and a frittata for my wife who's been under appreciated these last few weeks.
Next week is NECON. It's going to be a special one.
Tuesday, June 15, 2010
Book Signing in Tucson
Weston Ochse will be signing copies of EMPIRE OF SALT, teaching zombie line dancing, and discussing the value of nutrition for the undead. Also bring your copies of THE DEAD THAT WALK, ON WRITING HORROR, CHILDREN OF CTHULHU, SCARECROW GODS and anything other book you want me to sign, even your own.
Signing is on 3 July 2010, from 1-3PM at Barnes and Nobles, Foothills Mall, 7325 N. LaCholla Blvd. Ste 100, Tucson, AZ 85741. And you can call to reserve your copy at 520-742-6402 (ask for Mary).
Signing is on 3 July 2010, from 1-3PM at Barnes and Nobles, Foothills Mall, 7325 N. LaCholla Blvd. Ste 100, Tucson, AZ 85741. And you can call to reserve your copy at 520-742-6402 (ask for Mary).
Friday, June 4, 2010
Empire of Salt in Waves
Lots of Empire of Salt news.
We had a book signing in Flagstaff. Lots of new fans showed up.
We also had a book signi
.JPG)
ng in Sierra Vista, Arizona. The store had 20 copies and I think we sold 13 of them, along with a handful of my other work. Lots of folks coming in from goth teens, to weird tweens to octogenarians who wanted to talk politics, but I convinced instead to buy a book. here's a picture of me and the original FOW (Friend of Wes).Paul Kane has also made me Guest Writer at Shadow Writer UK. There's a never before seen excerpt from Empire of Salt posted. Meet Abigail. Meet Trudy. Meet the zombie.
Last news to report is the box of books I received today. My first box of author copies from a mass market publisher. I got all squishy inside. It was really a great feeling. Or can't you tell by the shi*t-eating grin on my face. :)
Nevertheless, there I am.
So please, if you haven't ordered a copy yet, get one from your favorite bookstore. If for some insane reason they don't have it in stock, please ask them to order a copy for you.
You all rock! ""Devil Horns""
Sunday, May 16, 2010
May – Motorcycles – Zombie Mayhem
May is halfway done and I don’t know where it went. Work kept me unusually busy, but who wants to talk about that.
Spent many hours in the early days of May responding to publishers who asked me for pitches, creating them from scratch, re-tailoring them, or adding more information as requested. Of course since I sent the pitches in it has been crickets. I also had to hurry and produce a short story for an anthology. It was an invitation but not an acceptance, but this was one of my best works, by far, so I hope the publisher will snatch it up. Still, not a peep from the low world of publisher-demons, and probably none coming any time soon. Not the best of circumstances for an impatient guy like me.Been working on setting up book signings but had a glitch. Empire of Salt was held up in customs for some reason and I missed my first signing, then missed the rescheduled signing when the initial hiccup caused a string of events between customs and distributers. Now we’re back on track and I’m back to scheduling signings. A big one is coming later in the year to coincide with the Tucson Zombie Crawl. Looking good. For tour dates, feel free to check at Book Tour.
If Yvonne and I could, we’d spend a hell of a lot more time riding our motorcycles than we do. It’s such a joy and Arizona is made for it with the wide open spaces and the sparse traffic. For Yvonne’s Birthday, I arranged for an overnight trip to Douglas. Douglas is a small town in the southeastern corner of Arizona with a history dating back to the mid 1800s. It was big in the silver boom and was frequented by Pancho Villa. In fact, the grand old hotel we stayed at, which has Tiffany stained glass, marble columns, real gold leaf, etc, is the site of one event where Pancho Villa rode his horse up the winding marble staircase. It’s a pretty cool old hotel. I had a pass for a free suite we won a few years back which I had been hanging onto for just something like this. We cashed it in and were given the Harley Davidson-themed suite. Black and orange everywhere. Two rooms open to each other. 1970s furniture. King Bed. Jacuzzi garden tub. It was awesome. That night we went across the street to eat. The food was pretty bad, except for some sort of queso appetizer with chorizo that was fabulous. Still, I think we found the only Mexican restaurant in the universe dedicated to Marilyn Monroe. Not only were there over a hundred different photos, but there was a fresco set up like and altar on the way in. Creepy crazy cool. The next morning we ate in the hotel restaurant. It is always great. They have this concoction called Lorenzo Beans, which is refried beans, cheese and enough jalapenos to make you want to slap your momma (shout out Mike M). It was a nice trip and our first overnight.
Pictures from this trip. Pictures of the inside of the hotel from 2007
On Thursday we leave for five days to the Grand Canyon. Yvonne managed to get us on a 4 day rafting trip down the Colorado. We went to Tucson yesterday buying some of the gear. It should be an utter blast. I’ll take lots of pictures and share them. We won’t be taking a laptop with us on the river, but Yvonne will have her NEO, so writing will get done.
In the meantime, pick up a copy of Empire of Salt. Read it. And post about it. I need everyone to get out the good word. Ask your bookstore to put them on their shelves if they already haven’t. If you work in a bookstore, make sure you have this. And don’t forget to join the Empire of Salt Victim’s League on Facebook. Lots of info and prizes to reward your loyalty.
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