Twilight of the Green Zone - An Afghanistan Story

The Green Zone is not at all what I expect. To tell you the truth, I don’t know what I expect, but what I see isn’t it whatever it is. It’s not that I expect green streets and green buildings and green people. That's silly. I just expect something... different. Perhaps after six months I’ll be able to express this inexpressible difference, or it might mean I’ll have to travel to another war and visit another Green Zone to compare, but I know this isn’t what I thought it was going to be.

As we enter the Green Zone, the first thing I notice is the concrete. There’s more concrete in the walls and barricades of the Kabul Green Zone than the interstate stretch from Los Angeles to Barstow. Some indiscernible dust-covered trees line the streets. From the back seat of our armored up SUV, I notice an immediate change to street traffic. Gone are the throngs of folks going about their business. There are still a few street peddlers and beggars, but the number has been reduced ten-fold.  After the cacophony and furious energy of the drive from the airport, the Green Zone feels like a dusty street in an Old West town, the only thing missing, a pair of gunslingers, facing off, and someone whistling the theme song to a Clint Eastwood western.

Three soldiers hurry down the street, harried by children as if they are birds trying to get at some hidden food. Although the soldiers are in full body armor and carrying multiple weapons, their attitude towards the children is universal. They try politely to push them away, but the children will not be deterred. I know the problem right away. I’ve been to enough countries to know that even eye contact can gain their unwanted and furious attention. Let me emphasize, human compassion isn’t a mistake, but at certain times we can become victimized by it. Like these children, who have more professional sales acumen than a dozen Amway salesman, and more diligence than a friendly Fuller Brush man.

And like those old documentaries of wildebeests being chased by great cats on the Serengeti Plane, one soldier falls behind the other. I want to roll down the window and shout for him to watch out, but the windows are locked. So I’m forced to watch as two children on his right tug eagerly on his jacket as a third child, a beyond-cute young girl shoves her arm elbow deep into his other pocket, liberating whatever he has in there. She nods, and the children run off, laughing, just like any other children in the world, just like they hadn’t successfully robbed a fully armed soldier.

We drive on, now moving slightly faster than walking speed. The only other cars around are other up-armored SUVs, one or two local cars, and nothing else.  

Then I see the man with no legs. As I try and think up words to describe him I come up with fervent and angry, but then I think angry is an unfair term. Maybe then fervent and insistent. Yeah, that’s it. I’ve mistaken insistent for anger before, like when my drill sergeant was insistent that I do something, then he was angry about it. Yeah.  Insistent. But he seems angry too. I can’t get past that. But let me back up and describe what I see.

Our SUV is stopped in line waiting to pass through one of the many ‘gates,’ each one making an individual safer than the previous ‘gate.’ Outside my window is a man, scurrying about like a spider on a skateboard. His limbs are moving so fast, it’s not until he slows down that I notice he only has two limbs. It takes a few more seconds to figure out if they are arms, legs, or a combination of the two. When he finally halts his motion at the back bumper of the uparmored SUV in front of us, I see why I am so confused about his limbs. He wears canvas shoes on his hands, which he uses to both propel himself back and forth, and to slap the sides of the SUVs. His trunk rests on a flat wooden cart beneath a shawl of a blanket, where he somehow keeps his balance.

But this man is not handicapped. He might not have legs, but he has eyes and the power in those eyes is enough to close the gap between him and those unlucky enough to meet his gaze. I somehow know this right away. I try not to look directly at him, but every time my traitorous eyes look into his, he surges towards me with windmilling arms and his insistent-angry eyes. It’s as if he’s challenging the entire universe, but only you have the ability to speak on its behalf. His gaze makes you feel insignificant. After all, how can you speak for the universe?

He bangs his canvas shoe on the side of the SUV and it makes me jump. Scott and Crazy Eyes laugh at me as I meet the no-legged man’s gaze. It’s fueled with an inviolate authority, an incomprehensible demand for something I cannot give. Even if I gave him everything I have, I know it will not be enough for the moment. He is Afghanistan and I can’t help him.

Then as the SUV moves on, I feel grateful, and a little guilty.

It really is too much.

We creep forward and make a few turns. Several women have blankets laid out with charms and sundries. Now this I recognize. Outside every military compound since before Hannibal crossed the Alps sit women selling their wares—small trinkets of the conquered to be sent home as trophies. Ever as inconsequential and insubstantial as the piece may be, the prize of the item grows as the narrative increases.

One stands out. I only see her for a moment, hunched over her blanket, carefully arranging the pieces as if it were a game of capitalistic chess. Then she looks up. We see each other. She flashes a peace sigh and our gazes meet. Amidst her wrinkled dark skin and even darker hair, glowing from within the shadow of her scarf are bright blue eyes. It stops me for a moment and the world goes into slomo. I suddenly knew her. She is a child of the soviets. I think of our own American Asian kids spread across Vietnam, Korea, Okinawa, Thailand and the Philippines. I think about how they are treated-- outcasts with blue eyes, reminding everyone who sees them about a war just as soon forgotten. Beauty condemned. Much as my own blue eyes, myself a child of war a millennia removed, now accepted. Would it take them as long? Would it take her as long? Where does beauty start and the guilt of survival end?

Then we pass and time resumes to normal. A phantom image of her peace sign says with me.

Crazy-eyes catches my gaze in the mirror. “Not what you expected, is it?”

“I don’t know what I expected,” I say, not being entirely honest.

“Whatever it was,” he says, with the wisdom of Solomon, “It wasn’t this. That’s for damn sure.”

Soon we’re pulling through a last gate and I see military men and women from more than a dozen countries. Scott jumps out and ground guides us so we don’t run over anyone. I watch the people as they pass. The memory of the race from the airport, the children, the man with no legs, and the women with blue eyes fade as I begin to take in the details of my new home.

We pull to a stop. Scott opens my door.

“Get your shit together. I need to go find you a room.”

As I step outside and plant my feet on frienly ground, looking at my razor-wire twisted horizon, I take a deep breath.

Six months.

I have six months of this.

“You okay?” Scott asks.

I shake it off. “Yeah. Sure. Just taking it all in.”

“Don’t do it now or else you’ll have nothing to do for the next six months.”

In the back of my mind, Rod Serling and Bart Simpson compete for a comeback. But instead of saying anything, I grab my stuff and follow them, towards my new home.

(To keep up with all of my previous Afghanistan Stories, click on the following link - AFGHANISTAN)

*  *  *

Check out my work online, or purchase them at your favorite bookstore.

Babylon Smiles is a brand new release-- an Iraqi War Heist Novel in the spirit of Three Kings and Kelly's Heroes. If you like SEAL Team 666 or any of my other work, you'll love this.

War Desk - Afghanistan

I've shared pictures of my office at home. Lots of space. Desk covered with comic book covers. Arizona sunlight streaming in. dogs basking in the rays. Books galore. Pictures of friends and past literary conquests.

Afghanistan has none of that. I live in a fifteen by fifteen square foot space, with a wall locker, a bed, and a desk setup-- and I feel lucky to have it. Some folks are stacked three and four to a room like mine. Housing is in a shortage, so to have enough space to call my own is a luxury.

So here's my creative space, or my war desk, if you will.

What's there? Let's see if I can give you a tour. Gunbelt. Hat. Head lamp. Some books. Lots of water. a book of postcard pics from the National Gallery of Art -- Hudson river School -- to remind me how beautiful America is. French soap. A compass from my wive. Food. My computer.  Random pills. Kindle. Ear buds. Pocket knife. Ray Bans.

Here's Hemingway in Africa, 1954.

I daresay his is a little more rustic.

I've already edited SEAL Team 666: Age of Blood here, worked on a short story, and a comic book with William F. Nolan. It's a good space. I have tunes to listen to, and if the sounds of helicopters and vehicles get too loud, there are always headphones.

I look forward to doing more work here.

And when I'm done, I'm coming home.

The Vicissitudes of Being Edited - Toward vs Towards

Here I am, once again, going through edits on this, my eleventh novel. It's an interesting process. I'm pretty open to most edits, after all, I am a product of the Tennessee education system of the late 1970s and early 1980s, which received the least amount of money per child than any other state at the time. Therefore, I understand my own faults. I'm also a product of pop culture, so I tend to spell things in the popular manner, instead of the appropriate manner, sometimes.

Frankly, I'm just happy to be edited by real competent people. Thank you St. Martin's Press and Thomas Dunne Books for assigning a platoon of Ivy League graduates to assault edit SEAL Team 666: Age of Blood. I can always use a good edit. Hell, as is the case, I can always use five good edits. Bring them on.

One of the funny things, though, is I can always tell when someone is trained in British grammar or U.S. grammar. Or more specifically, I can always tell whether The Element of Style by Strunk and White or The Chicago Manual of Style is their grammar reference.

Geoffrey K. Pullum in a NY Times article says, 'The anodyne style advice that Strunk and White offers is harmless enough,' but their 'simplistic don’t-do-this, don’t-write-that instructions offered in the book would not guarantee good writing if they were obeyed.' The article continues to quote others about the book's shortfalls, but the one thing about The Elements of Style is that it is pleasantly short and to the point. Truly, The Elements of Style is a thin book, if whose pages were torn and rolled, could be smoked in a matter of days, if not hours.

Wherein The Chicago Manual of Style is a prodigous tome which could be used as a lethal weapon.

But does size matter?

There are many who would say it always matters. On that subject, I'll defer, but as far as grammar, because I'm from the U.S. and writing primarily for a U.S. market, I refer to the Chicago Manual of Style.

What's the difference, you ask? Here's an example with whether to use that or which. Also, here Absolute Write people pine about the books in kind of a funny way.

There's also the serial comma. Dear lord, arguments about this havecaused wars.

PRO SERIAL COMMA: "By train, plane and sedan chair, Peter Ustinov retraces a journey made by Mark Twain a century ago. The highlights of his global tour include encounters with Nelson Mandela, an 800-year-old demigod and a dildo collector." Languagehat dug this gem out of a comment thread on the serial comma. It's from a TV listing in The Times. It supports the use of the Oxford comma, but only because it keeps Mandela from being a dildo collector. However, even the Oxford comma can't keep him from being an 800-year-old demigod. There's only so much a comma can do.
 

I've been converted to the serial comma because my NY Editors like it and because of my appreciation for Nelson Mandela.

But now I'm facing a different dilemma.  The use of the word toward or towards, as in showing direction to an object or a place.

Which one is correct?

I'm afraid that both of them are. Yep. You have it right. The British way is towards and the U.S. way is toward. In some space-time-continuem insanity, it seems that I've been using the British way and assing the s every time. In What Tim Lebbon-running, Sarah Pinborough-Chardonnay Drinking, Neil Gaiman-singing British universe have I found myself in? I didn't even know I was there.

So what do my Ivy League-trained, serial-comma-loving-NY-publishers want? The American way. Check out Mirriam Webster for the reasoning.

I feel bad for the line editor. He corrected my towards to toward 185 times in this manuscript. I hope he was paid well for each one. In fact, if he was paid for each one, I might be his favorite client.

So onward and upward, towards toward success I go. Soon, I shall learn the lessons, which that that which I should learn to be the author of which editors dream. HAHA

Seriously. And here I sit in Afghanistan, editing, contemplating editing, and editing.

Sigh.

As my wife says, this is what makes me a professional.

Cheers

Weston Ochse
Kabul, Afghanistan

Things to Come from Weston- Next 365

Here's what's coming in the next 365 days from me in one manner or another. I hope I didn't leave anything out, but I have a nagging feeling I did -

Short Fiction

Behind Enemy Lines - A collection of four supernatural military thriller novellas from Weston Ochse, Michael McBride, Gord Rollo and Gene O'Neil. My novella is titled Tranquility Tides. To be published by Dark Regions Press (Complete)

Death Race 2000 - A woven collection of four novellas, to be published by Roy James Daley, Books of the Dead Press (Editing)

When I Knew Baseball - Short story appearing in World War II Cthulhu ebook anthology published by Cubicle 7 (Complete).

The Weight of a Dead Man - a short story co-written with Yvonne Navarro and edited by Paul Kane and Charles Prepolec and published by Titan Books, appearing in Beyond the Rue Morgue (complete).

Lovers Leap of Faith - short story appearing in Inhuman Magazine (complete).

Gravitas - Short story appearing in Nightmare Magazine, edited by John Joseph Adams (Complete).

The Fine Art of Courage - dark fantasy Hemingway story appearing in Cycatrix Press anthology.

Beneath the Scorpion Tree, reprinted in the Haunted Mansion Volume II (Complete).

Unamed short story in an unnamed steampunk weird western anthology (working).

Unnamed short story in an unnamed military fantasy anthology (working).



Novels

Halfway House, Novel, published by  Journalstone Books. Haunted house novel set in Los Angeles (Complete).

Grunt Life, Novel, published by Solaris Books. Military science fiction novel set in the near future (Working).

SEAL Team 666: Age of Blood, published by Thomas Dunne Books. Sequel to SEAL Team 666 (Complete).

SEAL Team 666, U.K. Edition, published by Titan Books.


Works on the Backburner

Ranger Candy- novel about revenge

Third Book in Aegis Trilogy

American Golem - novella

Comic Book with William F. Nolan

Driving to the Green Zone - An Afghanistan Story

“Put your gear on. We’re heading out,” Scott says. He wears fatigues with body armor and a P229 pistol on his hip, looking 100% badass in his six foot two inch U.S. Army Command Sergeant Major body.

My driver is a U.S. Air Force Tech Sergeant who wears crazy eyes above a winning boy-next-door sort of smile. As I struggle into my body armor, trying to figure out what the hell to do with all the Velcro and buckles, they shut the substantial back door of the up-armored SUV. I finally climbed in and began fighting

with the seat belt.

“Don’t worry about that. It’ll just get caught up on something if we get in the shit,” says Crazy Eyes.

I muse about telling them about the training I’d just gone through. I think maybe I might be able to get out if we were in the shit, as he said, but that one second of self-doubt makes me listen to him. After all, he’s the professional. I’m just along for the ride. I’m the package that Scott has promised the U.S. government and my wife that he’ll deliver safely.

They move their weapon status from amber to green, and we begin moving away from the airport around a dozen hair pin turns bound by concrete barriers to keep the great unwashed and explodable masses away. Just last year an SUV similar to the one I was in was almost destroyed when a truck pulled up behind it and detonated as they waited to enter through security. The nature of the entrance changed since then, as has surveillance on the lone road leading to the airport.

Coming in the airport was supposed to be safe.

And it probably was.

But we were going out.

I’d been both dreading and looking forward to this moment for two years, ever since I was told I was going to Afghanistan, if not a lifetime. I hate rollercoasters. I hate fast rides. I hate twists and turns. I hate it when someone else drives. With all of them it’s a lack of control. I understand the psychology of it.

But please explain this psychology -- I was about to be driven from point A to point B along a route with known terrorists who have proven they can blow vehicles up with improvised explosive devices, vehicle borne improvised explosive devices, and suicide bombers and I wasn’t scared. I was freaking excited and a small part of me in the back of my mind told me that I really should be a little more worried. But I wasn’t. My crazy Tech Sergeant knew how to drive and my Sergeant Major knew how to guide.

So let me set the scene.

You exit the airport sitting in the backseat of an up-armored SUV.

Four lane streets containing cars parked on either side in places pothole in front of you, sometimes separated by a thin median, but not always. One story buildings and hovels line the sidewalks, teeming with people shopping, talking, going about their everyday business. Like the signs to the businesses themselves, they are multi-colored, sometimes garish and confetti eye candy to the watchful eye. Some of them sit. Some of them stand. Others break into a run. Most don’t even notice you, but you can’t help but stand out. You’re in an up-armored white SUV with tinted windows and antennas jutting like an Armageddon porcupine among a country full of Datsons, Nissans, Toyotas and the like. So they stare. Are they curious? Do they wonder who you are? Do they realize you’re the great evil American, here to eat their children and make the populace the next MTV generation? Are they about to report you to someone down the road for your red, white and blue soul? Look, one has a phone. Are they calling ahead, activating an IED, or checking if the wife wants milk and eggs?

Crazy-eyed driver keys up playlist on the radio.

Heavy metal thrums inside the vehicle drowning out every other sound. Every one that is except—

“Drive,” commands Sergeant Major.

We accelerate to fifty and begin to weave through slower traffic down the Great Massoud Road.

Left side, car pulls in front, we swerve and don’t stop.

“Car. Right side. Parked.”

“Got it,” says Crazy Eyes.

We zoom past.

No boom.

Good thing.

Two cars come in from the right at high speed. Looks like they might be trying to block us or just maybe trying to hurry across.

Doesn’t matter.

“Juke right.”

You hold on as the SUV’s tires bite into the Soviet-era concrete on the road, we swerve right, then left, then straight. Whatever the cars are doing, they’re now in our dust.

You notice you’ve been holding your breath.

You breathe.

Mussah.

Serenity Now.

You can’t help but smile.

The brakes lock for a moment and we all jerk forward as a child crosses in front. We’re stopped. Sitting ducks. On the left squats an Afghani man, wearing black. His body is turned away from us, but his eyes are watching us as he talks into a phone. Damned phones. What’s he saying? Got Milk? Got Eggs? Got Boom?

You jerk back as we accelerate again. You feel like the ass-end of a bullet in CERN’s Large Hadron Collidor. We jerk left. We jerk right. Accelerate. Slow. Accelerate again. You’re on the Afghan Fun Ride.

By now you’re giggling nervously.

“Car right.”

“Group of men on left.”

“Trash pile on left.”

“Motorcycle. See it?”

“Got it.”

You remember the movie Twister and their exclamation of cow as it flies by in the grasp of a tornado. You half expect for them to say that next.

Then we hit the traffic circle. Dear Great God of Roundabouts, what have you done?

It’s a traffic circle in geometry only. Cars and trucks and bikes and horses pulling carts go around it in both directions. They don’t yield. They don’t slow. It’s chaos and we’re going to die.

Only we don’t.

Tech Sergeant Crazy Eyes shoots through three scant openings, slips past a donkey cart, and next thing you know we’re roaring down another street, barely avoiding being T-boned by a bus. Like the Incredible Hulk through the eye of a needle, we somehow make it through.

“Car. Right.”

“Truck. Left.”

Accelerate to seventy miles per hour.

And finally, “cow!”

The SUV bites hard with the breaking in an effort to keep the haggard beast off our hood. We slide by, clipping its tail which snaps nattily back to remove a fly from a lazy eyelid.

Then the school children.

We stop.

Like emperor penguins they waddle across the road in their white and black school uniforms. What can we do? We can’t ram them. We can’t go around.

Suddenly you’re hyper aware of everything around you. You can feel the ticking of the engine like knocks on your heart.

A child laughs.

Another screams.

The sounds of their childhood are like heat rounds shooting towards you.

A car honks behind you.

“I don’t like this,” says Crazy Eyes.

You think to yourself, Fuck, if he’s worried then you should be too.

But the sergeant major calms you. “Easy now.”

Nickelback - Animals

Powered by mp3skull.com

As the music changes to Nickleback’s Animals, and you get to the line where the devil needs a ride, you see the children are gone, and you’re accelerating and the song might be about anything at all, even sex inside a car, but you don’t care because the beat matches the speed you’re going and the way the people and trees whip past the SUV makes you feel like you’re moving even faster. While your right hand is on the oh shit handle, your left is tapping to the beat on your left leg. You’re two parts of the same being. The right part of you is scared while the left isn’t.

You notice the increased presence of police in gray uniforms carrying AKs. You feel safe.

“See those guys with the AKs?” the Sergeant Major asks.

“Yes,” you say.

“They don’t like us. Watch out for them,” he says.

Watch out for them? Like now? Serously? Those police right there with the AKs?

Then we pass a building under construction. It’s going to be big whatever it is.

“They’re building a Hilton there,” the Sergeant Major says, playing tour guide.

“Shit’s going to get blowed the fuck up,” Crazy Eyes says channeling Nostradamus and Bobcat Gothwait.

You can’t help but laugh. Not at the idea of a hotel getting blown up. Never that. Instead, you’re laughing at the casualness such a thing can be called. Like when someone sees a professed redneck pouring moonshine onto a lit BBQ grill and saying, watch this. Doesn’t take a brain surgeon to figure out what’s going to happen. Or like when a hotel chain builds a hotel near the site of where the last one was destroyed and within 13 months of America pulling out of Afghanistan.

Shit’s going to get blowed the fuck up.

Fucking priceless.

“We’re here,” says Crazy Eyes.

Sergeant Major leans across the seat and turns to you. “Welcome to the Green Zone.”

You feel giddy. You feel sad. The ride is over. Part of you is happy and part of you wants to do it again. And part of you wants to fling open the car door and throw yourself to the ground thanking the Great God of Cannonball Runs that you’re shit didn’t get blowed up.

But then all those parts become one and you realize you’ve done something no one back home can every appreciate. No essay or book or story or late night yarn will ever be able to convey the sheer joy and fear you felt simultaneously. It’s something where you just have to be there to know. It’s something that you survive, and in the surviving, you become a part of the club that understands such things.

*   *   *

For more of my Afghanistan stories, click here for a list.

Also be sure to check out Gravitas, which is a free short story and audio story at NightMare Magazine for a limited time.

You're Being Deployed - The Journey Begins

As I sit here in a hotel waiting to take a jet plane to Afghanistan in eleven days, I can't help but think about those things that brought me here. The events that occurred to make this a reality. Thinking about it takes me back to the day I was voluntold. For the record: volunteeer + told = voluntold.

*   *   *

“You’re being deployed,” my boss said. Although he grinned, his eyes watched me closely. This was part of the game. How would someone react when they were told they were going off to war? How would I react.

“Sure I am.” I laughed and waited for a reciprocating laugh from my boss, or the deputy, but neither gave in. “Oh, you’re serious.” I looked from one man to the other and felt it for real. Fight or flight. My heart fluttered. My face might have even paled. A tsunami of concern broke in my stomach. This was

Eleven Years Ago in a
Land Far Far Away

it. This was that moment. How would I react? How was I reacting? Whatever was happening to my body, my mind was flash-banging through a thousand images of war and fighting, both Hollywood and real. The dead stared back at me with as fierce a stare as those levied by John Wayne and my grandfather, waiting for my answer. It seemed as if minutes had passed since I’d realized I was actually being deployed. In this all volunteer military I was being voluntold to go to war. I could get out of it. I could make up some excuse. Hell, I could tell the truth. The Veteran’s Administration had already established that I was enough a disabled veteran that I was deserving money—as sort of monetary apology for fucking up my body. My mouth moved and the words came out, “Where are you sending me.”

               
“Afghanistan,” my boss said.

               
I realized only a moment had passed. If my face had revealed any of my internal ruminations, I couldn’t tell by looking at him.

               
“Do you know where in Afghanistan?” I asked.

               
“Don’t know.” He snatched a yellow sticky from his desk. “Call this number and they’ll fill you in.”

              
As I took the paper, the phone rang. He answered it and I stood there awkwardly for a moment. I didn’t know if I was supposed to say something or not. Finally, tired of staring at the back of his head, I turned and left the office. I had a phone call to make. Check that. I had two phone calls to make. I had to call deployments branch and I also had to call my wife. After a moments consideration, I took the coward's way out and called deployments branch.

*   *   *

It's funny. As I look back on that moment, I wasn't scared. This was something I'd been wanting to do for so long. Twice before I was set to go and it was scuttled. I was beginning to feel like it was never meant to be. Then came the notification. Was I scared? Not the way you think. I wasn't scared for my life. I was scared for all the things I was going to miss. I was scared that something might happen in the life I'd constructed and I wouldn't be there to see it, to fix it, to be a part of it. This is the hardest thing to get over. It's a hard lesson to learn that life goes on without you. Once you get it, then everything falls into place.

I'm ready to go.

Let's get this party started.

A quick point and click list of my eBooks for all you eBook-o-philiacs! 
You have all of these, right?

SEAL Team 666 SMACKS into UK like a Rogue Planet

SEAL Team 666 was released in a new trade paperback-sized volume with a brand new cover in the UK. The first 48 hours found 10 media outlets interviewing me and reviewing the book. I've had books that didn't get that many reviews in 48 weeks. For sure, the book has hit the UK like a rogue planet. I can only hope there are enough people left alive to enjoy it.

Here's the rundown:


SF Signal Interview: We talk SEAL Team 666 and my favorite military novel of all time, Joe R. Haldeman's Forever War.

Curiosity of a Social Misfit Review: Says I raise the quality level in characterization.

Nerd Like You Interview: The nerds fawn over Blood Ocean and I talk about why I chose Humonculi as one of my opening monsters.

Nerd Like You Review: The nerds talk about my 'cinematic action sequences.'

Following the Nerd Review: These nerds call my monster mythology 'brilliant.'

The Examiner Review: Reporter Josef Hernandez hopes this will propel me into the mainstream and also begs Hollywood to come-a-knocking.

Alasdair Stuart's Blog: Critical Review and Analysis: Mr. Stuart provided in-depth literary analysis and calls SEAL Team 666 nuanced, smart and surprising.

Financial Times of London Review: James Lovegrove, acting as reporter instead of crack author, cheers the 'military-grade' ass whooping the monsters get in the book.

Geek Native: The geeks talk me into discussing magic on facebook, Godzilla, and a Vorpal Rifle of wounding. 

Now run out and get you a copy at your favorite UK or US bookstore. Or go to your favorite online bookseller. Come one. Keep me in rice and spam.