First Review from Paperback Horror

First off, thanks to Paperback Horror for clearing their stacks to fit this one in at the last minute. When I read the review I was struck by the fact that the reviewer totally seemed to understand what I was trying to do, even when I didn't understand what I was trying to do with a particular story at the time of writing. Such incisive reviewing is welcome and probably why Paperback Horror is such a rising star in the Review World.

Here's a couple of excerpts. You can keep reading, or if you want to go to the entire review you can go here.

Multiplex Fandango. Say it. Multi-plex Fan-dan-go.

It's beautiful, isn't it? Just rolls off the tongue.

It’s almost as beautiful and satisfying as the book you may now be holding in your hands, or reading a review about. What we’re seeing here is quite possibly the most comfortable, relaxed, and expert takeover that the horror genre has ever seen.

With Multiplex Fandango, Weston Ochse has created an incredible collection, and has given the reader one of the smoothest, most satisfying reads they could ever come across. To drive the point home, Joe Landsdale says in the intro that "This is a book that could almost have been written for me.", but I disagree - this book was written for anyone looking for imaginative, intelligent, and thoroughly awe-inspiring, but strangely uplifting scares that force the reader to think more than react.

And then there's this. I've written quite a few original stories for this collection, so it's nice to hear people talking about them since I can count on one hand the number of people who have read them thusfar.

There are 16 short stories and novellas presented herein, 6 of which were written for this volume, with each and every one just as, if not more, impressive as the last. Ochse's words read like the poetry of a madman - urgent and direct, at the same time as being beautifully timed and designed to evoke emotions from deep inside. The reader can't help but be absolutely enthralled by this wordsmith's grand visions and engaging dialogue. This is a book that is virtually impossible to put down.

 Pieces like Tarzan Doesn’t Live Here Anymore, Fugue on the Sea of Cortez, The Sad Last Love of Cary Grant, and Catfish Gods speak of the choices we make that define who we are in the end, and directions we take in life that lead us to those instances. Ochse really blasts the reader with a keen blend of realism, tainted with a strange and unrelenting sense of unease that shows exactly how much of our lives is spent choosing between what is right, and what just comes naturally - regardless of whether or not it hurts or hinders someone else. The characters in these pieces are all people that the reader can instantly identify with, as Ochse finds the essence of what it is to be human, and gently exploits it for the purpose of proving a point. The point being, in most cases, is that we are all responsible for what we create in our own world, regardless of the outside influences and how strange they might be.

 To find out when you can order this book, sign up for my Living Dangerously Newsletter (top right) so we can live dangerously together.I promise I won't spam you.

Take Care

Weston